Generate a live Tanzanian contemporary worship song \nTitle: “SITASAHAU MEMA ULIO

Evaluation prompt

Generate a live Tanzanian contemporary worship song Title: “SITASAHAU MEMA ULIONITENDEA Tempo: 72 BPM Time signature: 4/4 Key: E Major Mood: Reverent, atmospheric, spiritually weighty, building from intimate adoration to an explosive, glorious climax, then returning to stillness. Setting: Large auditorium with thousands of worshippers, captured live. Lyrics: Mixed Swahili and English, original, prophetic adoration to God, including spontaneous vamps. Ensure all instruments, vocals, mixing, stereo imaging, and live room ambience match the Essence of Worship Tanzanian signature style. 🎼 SONG STRUCTURE & ARRANGEMENT Intro (16 bars) – Deep swells, pad, soft piano, distant shaker, crowd murmur Verse 1 (16 bars) – Swahili, intimate, rim clicks, bass enters Pre‑Chorus (8 bars) – Building, more percussion, choir hums Chorus (16 bars) – Full band, thick choir, Swahili refrain Verse 2 (16 bars) – Slightly lifted, call and response Pre‑Chorus (8 bars) – Extended build Big Chorus (16 bars) – Explosive, toms, crashes Spontaneous Vamp (32+ bars) – Loop ” over E – B – C#m – A, lead ad‑libs Glory Climax (16 bars) – Highest energy, choir belts, drums driving Instrumental Soak (8 bars) – Guitar swells, pad, choir soft humming Soft Outro (12 bars) – Pad, piano, voice alone whispering worship 🎹 INSTRUMENTS & THEIR ROLES 🎹 Grand Piano Tone: Felt, warm, soft hammer noise Placement: 18% Left Reverb: Bright hall, 3.2 sec decay Intro/verse: Sparse chords, Eadd9, Bsus4, C#m7, Aadd9 Climax: Octaves in right hand, power chords 🎛️ Atmospheric Pad Type: Warm analog (Roland Juno‑style), slow attack Stereo: 120% width, slight mid‑side modulation Verb: Huge hall, 4.5 sec, high‑pass 200 Hz Stays present throughout, creates the “cloud” 🎸 Electric Guitar 1 (Ambient Swells) Volume knob/swell pedal Dotted 8th delay, shimmer reverb Pan: 30% Right Plays swells in intro, lifts in climax 🎸 Electric Guitar 2 (Melodic Arpeggios) Clean, slight compression ¼ note delay Pan: 25% Left Enters in verse 2, light picking 🎙️ Bass Guitar 5‑string, smooth, deep Center mono Verse: long root notes Pre‑chorus: gentle passing tones Chorus/climax: driving 8ths, subtle slides 🥁 Drums (Live Kit) Kick: Soft beater, deep, centered Snare: Warm pop, slightly left 5% Hi‑hats: Right 25%, light in verses, open in climax Toms: Spread L‑R, builds only Overheads: Wide stereo, capture room Room mics: Crushed parallel comp during climax 🪘 Percussion Shaker: Soft constant pattern, slight R Tambourine: Enters in pre‑chorus, slight L Congas: Low in mix, add African groove texture 🎹 Organ (Hammond B3) Very low in mix, enters at big chorus Drawbars: 888000000 Adds harmonic glue 🎤 Choir (SATB) Large concert choir, 20+ voices Pan: Sopranos L35, Altos L45, Tenors R35, Basses R45 Humming in verses, full power in chorus Swahili articulation: crisp consonants, rolling R's 🎤 VOCAL DESIGN Lead Vocal – Male Warm, breathy low register, soaring chest voice Passionate, slight vibrato, Swahili phrasing Raw emotion, spontaneous cries (“Ah… Bwana…”) Plate reverb 2.8 sec, 85 ms slap delay Center, slightly forward Lead Vocal – Female (optional second lead in vamp) Ethereal, soft, enters in spontaneous moment Same treatment, pan slightly R for contrast Choir Stacked 4‑layer minimum per section Reverb longer than lead (push them back) Swells in dynamics with the band 🎧 STEREO IMAGING & DEPTH MAP Element Position Depth Layer Lead vocal Center Front Piano L18 Mid‑front Bass Center Mid Kick/Snare Center/5% L Mid Hi-hats R25 Mid Overheads Wide 70% Mid‑back Shaker R10 Mid Tambourine L10 Mid Electric Guitar 1 R30 Back Electric Guitar 2 L25 Back Pad 120% width Furthest Organ Wide 80% Back Choir L35‑R45 Mid‑back Crowd ambience 100% wide Far background Depth created with pre‑delays: Lead reverb: 40 ms pre‑delay Choir reverb: 60 ms pre‑delay Pad reverb: 80 ms pre‑delay 🌊 LIVE ROOM ATMOSPHERE (ESSENTIAL) Subtle crowd noise throughout (-32 dB) Soft “Amen” / “Hallelujah” shouts between phrases Natural hand claps enter on beat during chorus (muffled, roomy) Applause swell after glory climax Long reverb tail capturing auditorium natural decay 📝 ORIGINAL LYRICS (INCLUDED IN PROMPT) (These will be sung by the AI – Swahili/English prophetic worship) 【Lyrics】 [[A0]] [[B1]] [10.3:] Nakumbuka wema wako mkuu, [:] (Wema wako mkuu) [:] Katika hili dhoruba, ulikuwa mwanga wangu. [:] (Ulikuwa mwanga wangu) [:] Moyo wangu hautasahau, [:] Umenifuta machozi, umenipa wimbo mpya. [:] Asante Bwana, kwa neema zako. [[B2]] [37.7:] Sitaucha moyo wangu, [:] Sitaacha kukuabudu. [[C3]] [51.4:] Sitasahau mema ulionitendea! [:] Sitasahau wema wako mkuu! [:] I will not forg